PORTFOLIO › CULTURAL REPORTAGE › FORBIDDEN READING

Great actors read live “forbidden” literature. Wrocław Congress Center Centennial Hall, Wrocław 2018

Lesson 1: Why was Ryszard Kapuściński a great writer? Discussants: Michał Nogaś, Jacek Hugo-Bader, Irek Grin

Lesson 1: Why was Ryszard Kapuściński a great writer? Discussants: Michał Nogaś, Jacek Hugo-Bader, Irek Grin

Jacek Hugo-Bader

Jacek Hugo-Bader

Michał Nogaś, Jacek Hugo-Bader

Michał Nogaś, Jacek Hugo-Bader

Marcin Dorociński reads the “Emperor” by Ryszard Kapuściński

Marcin Dorociński reads the “Emperor” by Ryszard Kapuściński

Marcin Dorociński after meeting

Marcin Dorociński after meeting

Lesson 2: Why was Stanisław Lem a great writer?

Lesson 2: Why was Stanisław Lem a great writer?

Arkadiusz Jakubik during the sound test

Arkadiusz Jakubik during the sound test

Zygmunt Miłoszewski and prof. Stanisław Bereś

Zygmunt Miłoszewski and prof. Stanisław Bereś

Zygmunt Miłoszewski

Zygmunt Miłoszewski

Arkadiusz Jakubik reads the “Investigation” of Stanisław Lem

Arkadiusz Jakubik reads the “Investigation” of Stanisław Lem

Arkadiusz Jakubik reads the “Investigation” of Stanisław Lem

Arkadiusz Jakubik reads the “Investigation” of Stanisław Lem

Arkadiusz Jakubik after meeting

Arkadiusz Jakubik after meeting

Irek Grin and Arkadiusz Jakubik

Irek Grin and Arkadiusz Jakubik

Lesson 3: Why was Witold Gombrowicz a great writer?

Lesson 3: Why was Witold Gombrowicz a great writer?

Klementyna Suchanow, Marek Kondrat, Irek Grin

Klementyna Suchanow, Marek Kondrat, Irek Grin

Klementyna Suchanow, Marek Kondrat, Irek Grin

Klementyna Suchanow, Marek Kondrat, Irek Grin

Marek Kondrat

Marek Kondrat

Marek Kondrat reads “Dziennik” by Witold Gombrowicz

Marek Kondrat reads “Dziennik” by Witold Gombrowicz

Marek Kondrat after meeting

Marek Kondrat after meeting

Lesson 5: Literature of national and ethnic minorities

Lesson 5: Literature of national and ethnic minorities

Olga Tokarczuk and Mikołaj Grynberg

Olga Tokarczuk and Mikołaj Grynberg

Mikołaj Grynberg, Olga Tokarczuk, Irek Grin

Mikołaj Grynberg, Olga Tokarczuk, Irek Grin

Mikołaj Grynberg, Olga Tokarczuk

Mikołaj Grynberg, Olga Tokarczuk

Jacek Braciak

Jacek Braciak

Agata Buzek

Agata Buzek

Agata Buzek and Jacek Braciak read excerpts from “Dybbuk” by Szymon An-ski

Agata Buzek and Jacek Braciak read excerpts from “Dybbuk” by Szymon An-ski

Agata Buzek and Jacek Braciak read excerpts from “Dybbuk” by Szymon An-ski

Agata Buzek and Jacek Braciak read excerpts from “Dybbuk” by Szymon An-ski

Agata Buzek and Jacek Braciak read excerpts from “Dybbuk” by Szymon An-ski

Agata Buzek and Jacek Braciak read excerpts from “Dybbuk” by Szymon An-ski

Olga Tokarczuk after meeting

Olga Tokarczuk after meeting

After meeting

After meeting

Lesson 1: Why was Ryszard Kapuściński a great writer? Discussants: Michał Nogaś, Jacek Hugo-Bader, Irek Grin
Jacek Hugo-Bader
Michał Nogaś, Jacek Hugo-Bader
Marcin Dorociński reads the “Emperor” by Ryszard Kapuściński
Marcin Dorociński after meeting
Lesson 2: Why was Stanisław Lem a great writer?
Arkadiusz Jakubik during the sound test
Zygmunt Miłoszewski and prof. Stanisław Bereś
Zygmunt Miłoszewski
Arkadiusz Jakubik reads the “Investigation” of Stanisław Lem
Arkadiusz Jakubik reads the “Investigation” of Stanisław Lem
Arkadiusz Jakubik after meeting
Irek Grin and Arkadiusz Jakubik
Lesson 3: Why was Witold Gombrowicz a great writer?
Klementyna Suchanow, Marek Kondrat, Irek Grin
Klementyna Suchanow, Marek Kondrat, Irek Grin
Marek Kondrat
Marek Kondrat reads “Dziennik” by Witold Gombrowicz
Marek Kondrat after meeting
Lesson 5: Literature of national and ethnic minorities
Olga Tokarczuk and Mikołaj Grynberg
Mikołaj Grynberg, Olga Tokarczuk, Irek Grin
Mikołaj Grynberg, Olga Tokarczuk
Jacek Braciak
Agata Buzek
Agata Buzek and Jacek Braciak read excerpts from “Dybbuk” by Szymon An-ski
Agata Buzek and Jacek Braciak read excerpts from “Dybbuk” by Szymon An-ski
Agata Buzek and Jacek Braciak read excerpts from “Dybbuk” by Szymon An-ski
Olga Tokarczuk after meeting
After meeting